İstanbul’un en sükseli reklam ajansının medyatik patronu, gizemli bir cinayete kurban gittiğinde, tüm gözler onun altında çalışan 10 kişiye çevirilir. Toplumun farklı kesimlerinden gelen bu mesai arkadaşları, kapsamlı bir soruşturma sırasında medyatik bir davanın şüphelilerine dönüşürler.

SUÇ / KARA KOMEDİ

MİNİ DİZİ - 8 BÖLÜM

“Goodnight, Boss” is a crime drama and dark comedy series about a murder that occurred in an advertising agency. This show is planned as a mini-series with a closed-ended story, with each episode focusing on a different employee of the said agency and their role in the murder of their boss.

Good Night Boss intends to tell its story in such a way that each employee becomes a suspect, and the mystery of “Who’s the killer?” is enriched with questions such as “Why?” and “How?”.

The elite employees of “Mürekkep,” the country’s most prestigious advertising agency, arrive at work one morning to find their boss brutally murdered. As these coworkers from various backgrounds become suspects in the country’s most high-profile case, their professional conflicts will make it challenging to find the killer.

The investigation of this highly publicized case will gradually reveal the mobbing, blackmail, and risky relationships at “Mürekkep,” as well as the possibility of multiple killers.

The Good Night Boss characters are made up of people, many of whom are workaholics, who have to spend the majority of their lives together because their boss values teamwork.

THE BOSS

Giray Karahan, the founder of Mürekkep, is known to be an understanding but tough boss who walks through life as he sees fit.

PRODIGAL GENIUS

One of Mürekkep’s longest-serving workers, Demre is a talented but troublesome individual. Despite having previously left the company, he came back to work here years later, only to resign again hours prior to the death of his boss.

CREATIVE DIRECTOR

Berkin, who was appointed Creative Director of Mürekkep after Demre’s first resignation, is a man who values his own brand and is well-known for his craftsmanship. Berkin, whose reputation in the industry rivals Giray’s, takes full advantage of this.

HEAD OF PRODUCTION

Aksel, the producer of Mürekkep, is a long-term employee, much like his old friend Demre. Aksel, who knows everything about the agency, is a recluse, which allows him to do a lot of secret business.

COPYWRITER

Lina, Demre’s former Jr., is an ambitious copywriter who has been promoted to group head during his absence. Despite being a very promising young woman, she likes to rub her success in the faces of her colleagues in very subtle ways.

HEAD OF SOCIAL MEDIA

Alanur, the social media head of the agency, is a woman who is aware of her power and does not hesitate to use it. She is also close friends with Demre and the only one who believes in his innocence.

CUSTOMER RELATIONS

İpek, a prominent member of Mürekkep, is a young woman who fell prey to Giray’s seduction and had an illicit relationship with him.

OLD EMPLOYEE

Zeynep is a woman who is resentful enough to demand compensation for the years she devoted to this company after being forced to leave it for undisclosed reasons.

OFFICE BOY

Tark, the company’s office boy, is an internet addict who regards Demre as his older brother, looks up to Berkin, and is secretly in love with Alanur.

SILENT PARTNER

Yalçın, Mürekkep’s silent partner, is a pleasure-seeking man who has given Giray complete control and has no idea how to run an ad agency.

HEAD OF ACCOUNTING

Sevim, the company’s accountant, is a lonely woman who has created her own world in her secluded little room, which is often overlooked by agency employees.

BIPOLAR DETECTIVE

Nesil is a single detective with mild bipolar tendencies who is very interested in solving puzzles and likes to look at the cases from different perspectives.

TROUBLED DETECTIVE

Okan, who is in the first year of his partnership with Nesil, is a detective who lost his previous partner due to his temper and therefore takes anger management classes.

Each episode focuses on a different character in the story while their professional histories and murder interrogations unfold simultaneously.

Tense and exciting moments form the backbone of Good Night Boss, where each character has more than enough drama for a workplace. However our story also winks at the black comedy genre with its sense of humor targeting workplace cultures and working conditions.

THE DRAMA
THE DRAMA

THE HUMOR
THE HUMOR

THE CHARACTERS
THE CHARACTERS

THE UNIVERSE
THE UNIVERSE

THE MYSTERY
THE MYSTERY

Good Night Boss uses an intriguing mystery to tell a story about the difficulties of working life and how they affect our daily lives, particularly the culture of “Mobbing.” The series questions what and for whom we exhaust ourselves as employees while highlighting the harm that poor working conditions can do to our mental and physical health.

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